Theatre oppressed

The Origins of Theatre of the Oppressed Augusto Boal began his experimentations in participatory theatre in the 1950s and 60s while he was artistic director for the Arena Theatre in Rio de Janeiro. He went beyond the stage and organized performances with the Arena troupe in the streets, factories, unions, churches where they could reach the people of the favelas or slums of Rio. In 1971, Boal’s work drew the attention of the military dictatorship and he was arrested and tortured. After four months he was released and sent into exile, spending five years in Argentina, two in Portugal and eight in France before returning to his home in Rio.

Theatre of the Oppressed was born in 1971, in Brazil, under the very young form of Newspaper Theatre , with the specific goal of dealing with local problems – soon, it was used all over the country. Forum Theatre came into being in Peru, in 1973, as part of a Literacy Program; we thought it would be good only for South America– now it is practiced in more than 70 countries. Growing up, TO developed Invisible Theatre in Argentina, as political activity, and Image Theatre to establish dialogue among Indigenous Nations and Spanish descendants, in Colombia, Venezuela, Mexico... Now these forms are being used in all kinds of dialogues.